ELLA STANTON
and bows
Bunnies and Bows taught how to transform handmade templates into a shareable, automated product. CNC cutting enabled me to create my first mass-producible item—a significant step forward in my design career.
To begin my mask, I first had to understand my subject. In analyzing logo abstractions of bunnies, I found that large ears and chubby cheeks were crucial features. These would be my focus when modeling.
Moving forward, I viewed the process of creating the 3D drafts as a pattern-making test. Instead of drafting paper onto a mannequin form, I worked by modifying flat nets. This approach allowed me to achieve a more dynamic and precise shape.
For the finishing touches, I wanted to incorporate some of my own style. I began with the bow; while it may be extra, it adds a cute and eye-catching element. The little hearts on the side are my favorite finishing touch.
See projects from DAAP studios. Includes Synergy portable lamp, Cyber chess set, and the Bows bunny mask. Please enjoy <3
Featured work
Explore this newsletter to see my curation; an exploration in endearing design supported by textiles.
Bunnies
PRODUCTS
Gustavo (the handsome one in the sweater vest) embodies a focus on detail and connection. Let me explain each step, one at a time.
I started with several iterations of the body shape and features (shown on each bear). With the final pattern being straightforward, I took special care to add cute details: the little tail tuft, extra fabric on the face to create a snout, and small stitches to define the postures.
For added detail, I included little flowers and leaves on the friends' heads. I saved the best for last when sewing Gustavo’s vest. It began with a felt base, and then I added whip-stitched and back-stitched embellishments, finishing it off with my favorite bead from the junk drawer.
However, my favorite part of this design is its purpose. I made these for my friends to share, giving them a small piece of me. These are just a few from my growing collection.
Geoff
Gustavo
Gretta
AND friends
Gustavo
Flutter
Flutter metamorphoses from a backpack to a crossbody bag through its multiple clasp locations and adjustable straps. It also features two compartments with a hidden pocket.
The process of making Flutter was a slew of new skills.
I worked with various new materials: bias tape, interfacing, leather, and hardware. I also learned how to customize zipper lengths and add hidden zippers.
In addition, Flutter was my first application of industry-standard practices I had learned from my mentor. I ensured that every piece of fabric was properly ironed or steamed before and after sewing. Additionally, seams and allowances were pressed flat for a neater and more accurate product. Lastly, I learned about proper pattern-cutting techniques and tools.
My most time-consuming endeavor was pattern placement. I aimed for a dynamic design while minimizing fabric waste. I began by identifying my favorite part of the print and cutting the front pattern pieces from that area. Then, I based the rest of the design around that panel, getting creative to fill in the extra or awkward spaces with smaller pieces.
